LONDON
Ginger Baker, the volatile and propulsive drummer for Cream and other bands who wielded blues power and jazz finesse and helped shatter boundaries of time, tempo and style in popular music, died Sunday at age 80, his family said.
With blazing eyes, orange-red hair and a temperament to match, the London native ranked with The Who’s Keith Moon and Led Zeppelin’s John Bonham as the embodiment of musical and personal fury. Using twin bass drums, Baker fashioned a pounding, poly-rhythmic style uncommonly swift and heavy that inspired and intimidated countless musicians. But every beat seemed to mirror an offstage eruption — whether his violent dislike of Cream bandmate Jack Bruce or his on-camera assault of a documentary maker, Jay Bulger, whom he smashed in the nose with his walking stick.
Bulger would call the film, released in 2012, “Beware of Mr. Baker.” Baker’s family said on Twitter that he died Sunday: “We are very sad to say that Ginger has passed away peacefully in hospital this morning.”
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His daughter Nettie confirmed that Baker died in Britain but gave no other details. The family had said on Sept. 25 that Baker was critically ill in the hospital.
While Rolling Stone magazine once ranked him the third-greatest rock drummer of all time, behind Moon and Bonham, Baker had contempt for Moon and others he dismissed as “bashers” without style or background. Baker and his many admirers saw him as a rounded, sophisticated musician — an arranger, composer and student of the craft, absorbing sounds from around the world. He had been playing jazz since he was a teenager and spent years in Africa in the 1970s, forming a close friendship with the Nigerian musician-activist Fela Kuti.
“He was so unique and had such a distinctive personality,” Stewart Copeland of the Police told www.musicradar.com in 2013. “Nobody else followed in his footsteps. Everybody tried to be John Bonham and copy his licks, but it’s rare that you hear anybody doing the Ginger Baker thing.”
But many fans thought of Baker as a rock star, who teamed with Eric Clapton and Bruce in the mid-1960s to become Cream — one of the first supergroups and first power trios. All three were known individually in the London blues scene and together they helped make rock history by elevating instrumental prowess above the songs themselves, even as they had hits with “Sunshine of Your Love,” ″I Feel Free” and “White Room.”
Cream was among the most successful acts of its time, selling more than 10 million records. But by 1968 Baker and Bruce had worn each other out and even Clapton had tired of their deafening, marathon jams, including the Baker showcase “Toad,” one of rock’s first extended drum solos. Cream split up at the end of the year, departing with two sold-out shows at London’s Albert Hall. When told by Bulger that he was a founding father of heavy metal, Baker snarled that the genre “should have been aborted.”
To the surprise of many, especially Clapton, he and Baker were soon part of another super group, Blind Faith, which also featured singer-keyboardist Stevie Winwood and bassist Ric Grech.
Baker continued to perform regularly in his 70s despite arthritis, heart trouble, hearing loss dating from his years with Cream and lung disease from smoking. A stranger to no vice, immodesty included, he called his memoir “Hellraiser: The Autobiography of the World’s Greatest Drummer.”
“John Bonham once made a statement that there were only two drummers in British rock ‘n’ roll; himself and Ginger Baker,” Baker wrote in his book. “My reaction to this was, ‘You cheeky little bastard!’”
Born in 1939, Peter Edward Baker was the son of a bricklayer killed during World War II when Ginger was just 4. His father left behind a letter that Ginger Baker would quote from: “Use your fists; they’re your best pals so often.”
